“Boyd had produced Alan Clarke’s cinema version of Scum (the original 1977 BBC television production had been Mary Whitehoused off the screen) as well as Derek Jarman’s Tempest and Julien Temple’s The Great Rock ’n’ Roll Swindle and he now planned to direct his first major feature film, which was to be called Gossip. He imagined a British compendium of The Sweet Smell of Success and La Dolce Vita infused with the spirit and manner of Evelyn Waugh’s Vile Bodies. This was to be a film that would c...apture a new and horrible side to Thatcher’s Britain: the recently confident, arrogant, vulgar Sloaney world in which night-club narcissists, trust-fund trash and philistine druggie aristos cavorted with recently cherished icons of finance, fashion and celebrity. It was a soulless, squalid, valueless and trashy milieu that believed itself to be the stylish social summit at whose dazzling peaks the lower world gazed with breathless envy and admiration. A script had been written by the brothers Michael and Stephen Tolkin.MoreLessRead More Read Less
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